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双世宠妃2天狼影视
2025-02-13 17:01:29
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双世宠妃2天狼影视剧情介绍:
这种自由走得很远。有时候，一个门廊，一堵面墙，甚至整个一座教堂都表现出一种与宗教毫无关系、甚至与宗教敌对的象征意义。巴黎的纪尧姆从十三世纪起，尼古拉·弗拉梅尔从十五世纪起，就写下了一些这类骚动的篇页。圣雅克·德·拉布什里教堂就完全是一座矛盾的教堂。
思想也只有在这种方式下才是自由的，它也只能全部表现在人们称之为建筑的这些书上。如果没有这种建筑形式，如果它不够小心，冒险以手稿的形式保存下来的话，那它就可能会被刽子手在公共场所烧掉了。教堂大门廊所代表的思维就会目击书籍这种思维蒙受的苦难。因此，砖石工程为了得见天日，只有这一条路，于是它就从各个方面扑到这条路上来了。就这样，大批的教堂出现了，覆盖了整个欧洲，数目之多简直令人难以置信，哪怕是对它们进行核对之后。社会的一切物质力量、一切精神力量，都集中于同一个焦点：建筑艺术。艺术借口给上帝修建教堂，以这种方式大规模地发展起来了。
于是，凡是生来就是诗人的人也就变成了建筑师。散布在群众中的天才，在封建统治之下，在各个方面都受到压抑，就像被罩在青铜盾testudo[17] 下一样，他们因为只有从建筑艺术这方面才能找到出路，所以便通过这一艺术涌现出来，而他们的《伊利亚特》也就采取了大教堂这种形式。所有其他艺术全都顺从了建筑艺术，对它俯首称臣。他们是伟大建筑的能工巧匠。建筑师、诗人和大师全都亲自来计算建筑物面墙上共有多少雕刻，计算它的彩绘玻璃上有多少绘画，聆听它的钟在管风琴声中的齐鸣。就连那执意在手稿中讨生活的纯粹的可怜诗学，也都被迫以圣歌或散文的形式进入教堂。总之，它们与希腊司祭节上演的埃斯库罗斯 [18] 的悲剧以及所罗门神殿里上演的《创世纪》 [19] 起的都是同样的作用。
相关影视:双世宠妃2天狼影视
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